Sunday, May 31, 2015

Great Comp Quotes

Comp Quotes to Live By: What are we finding out? One point is becoming clear is that writing is an act of discovery for both skilled and unskilled writers; most writers have only a partial notion of what they want to say when they begin to write, and their ideas develop in the process of writing…. Another truth is that usually the writing process is not linear, moving smoothly in one direction from start to finish. It is messy, recursive, convoluted, and uneven. Writers write, plan, revise, anticipate, and review throughout the writing process, moving back and forth among the different operations involved in writing without any apparent plan. No practicing writer will be surprised at these findings: nevertheless, they seriously contradict the traditional paradigm that has dominated textbooks for years... (Maxine Hairston, p. 12, "Winds of Change")

To sum up: Writing is a complex act, integrally related to learning and knowing, and performs a variety of functions. It is not a discrete clearly definable skill learned once and for all; moreover, both in school and at work, writing is seldom the product of isolated individuals but rather and seldom obviously, the outcome of continuing collaboration, of interactions that involve other people and other texts. Writing practices are closely linked to their sociocultural contexts, and writing strategies vary with individual and situation. (Worlds Apart, Dias et al. p. 10)

"Education is the ability to listen to almost anything without losing your temper or your self confidence." -- Robert Frost --

The most valuable political act any teacher can perform is not to impose particular political views but to teach students to see the words that society tries to inject into them unseen. (Wayne Booth, The Vocation of a Teacher, p. 154)

"The teacher of writing, first of all, must be a person for whom the student wants to write." (Donald Murray)

George Cambell: rhetoric is the attempt to "to enlighten the understanding, to please the imagination, to move the passions, or to influence the will."

In the end, however, the underlying philosophical assumptions still seem less significant to me than the way in which a writing teacher answers this question: should a writing course be organized around production or consumption? It is around this very basic question that (at least) two paths diverge, and how a teacher chooses usually makes all the difference. (Lad Tobin, "Process Pedagogy", p 15 in A Guide to Composition Pedagogy)

Everyone teaches the process of writing, but everyone does not teach the same process. The test of one's competence as a composition instructor [...] resides in being able to recognize and justify the version of the process being taught. (James Berlin, "Contemporary Composition: The Major Pedagogical Theories", p. 777 in College English, Dec. 1982)

Monday, May 25, 2015

Resources for Planning an FYW Curriculum

Resources for Planning an FYW Curriculum:

Melzer (book)
Beaufort (college writing and beyond)
Driscoll (transfer article)
Yancey et al (transfer book)
Wardle

Thursday, May 14, 2015

Summer Reading (2015)

The following essays/articles were taken from the WPA thread, "Best essays in our field for new writing instructors"

  • Anne Lamott's "Shitty First Drafts" 
  • Don Daiker's "Learning to Praise" 
  • Peter Elbow's "Embracing Contraries" (and the aforementioned "Ranking, Liking") 
  • Michelle Tremmel's "What to Make of the Five-Paragraph Theme" TETYC 39.1 
  • Margrethe Ahlschwede's "Writing to Save the World," from Moore & O'Neill's Practice in Context 
  • Wendy Bishop's "Steal this Assignment: The Radical Revision" from the same volume 
  • Kathi Yancey's "Reflection and the Writing Course" from Reflection in the Writing Classroom 
  • Robert Brooke's "Underlife in the Writing Classroom" 
  • Dawn Skorczewski's “From Playing the Role to Being Yourself” 
  • Barbara Fister's "Why the Research Paper isn't Working" 
  • Ferris & Roberts' "Error Feedback in L2 Writing Classes"
  • Mike Rose's "The Language of Exclusion: Writing Instruction at the University"
  • Nancy Welch's "Sideshadowing Teacher Response"
  • Peggy O'Neill: "From the Writing Process to the Responding Sequence." 
  • "Nobody Mean More to Me than You and the Future Life of Willie Jordan" by June Jordan, here
  • Villanueva, Victor "Memoria Is a Friend of Ours: On the Discourse of Color"
  • Brannon and Knoblauch"s "On Students' Rights to Their Own Texts: A Model of Teacher Response."
  • Min Lu's "Professing Multiculturalism"
  • The New London Group's "Pedagogy of Multiliteracies"
  • Joseph Harris's "Revision as a Critical Practice" here
  • The introduction to Corbett and Connors, *Classical Rhetoric for the Modern Student.
  • "From a High-Tech to a Low-Tech Writing Classroom: You Can't Go Home Again" here
  • Audience addressed/Audience invoked (Lunsford/Ede)
  • Dana Lynn Driscoll and Jennifer Wells, "Beyond Knowledge and Skills: Writing Transfer and the Role of Student Dispositions"
  • Heilker’s “Twenty Years in: An Essay in Two Parts” paired with Adam Banks’s 2015 CCCC address, “Funk, Flight, and Freedom.”
  • Jerry Farber’s “Teaching and Presence” (2008)