Sunday, May 31, 2015

Great Comp Quotes

Comp Quotes to Live By: What are we finding out? One point is becoming clear is that writing is an act of discovery for both skilled and unskilled writers; most writers have only a partial notion of what they want to say when they begin to write, and their ideas develop in the process of writing…. Another truth is that usually the writing process is not linear, moving smoothly in one direction from start to finish. It is messy, recursive, convoluted, and uneven. Writers write, plan, revise, anticipate, and review throughout the writing process, moving back and forth among the different operations involved in writing without any apparent plan. No practicing writer will be surprised at these findings: nevertheless, they seriously contradict the traditional paradigm that has dominated textbooks for years... (Maxine Hairston, p. 12, "Winds of Change")

To sum up: Writing is a complex act, integrally related to learning and knowing, and performs a variety of functions. It is not a discrete clearly definable skill learned once and for all; moreover, both in school and at work, writing is seldom the product of isolated individuals but rather and seldom obviously, the outcome of continuing collaboration, of interactions that involve other people and other texts. Writing practices are closely linked to their sociocultural contexts, and writing strategies vary with individual and situation. (Worlds Apart, Dias et al. p. 10)

"Education is the ability to listen to almost anything without losing your temper or your self confidence." -- Robert Frost --

The most valuable political act any teacher can perform is not to impose particular political views but to teach students to see the words that society tries to inject into them unseen. (Wayne Booth, The Vocation of a Teacher, p. 154)

"The teacher of writing, first of all, must be a person for whom the student wants to write." (Donald Murray)

George Cambell: rhetoric is the attempt to "to enlighten the understanding, to please the imagination, to move the passions, or to influence the will."

In the end, however, the underlying philosophical assumptions still seem less significant to me than the way in which a writing teacher answers this question: should a writing course be organized around production or consumption? It is around this very basic question that (at least) two paths diverge, and how a teacher chooses usually makes all the difference. (Lad Tobin, "Process Pedagogy", p 15 in A Guide to Composition Pedagogy)

Everyone teaches the process of writing, but everyone does not teach the same process. The test of one's competence as a composition instructor [...] resides in being able to recognize and justify the version of the process being taught. (James Berlin, "Contemporary Composition: The Major Pedagogical Theories", p. 777 in College English, Dec. 1982)

Monday, May 25, 2015

Resources for Planning an FYW Curriculum

Resources for Planning an FYW Curriculum:

Melzer (book)
Beaufort (college writing and beyond)
Driscoll (transfer article)
Yancey et al (transfer book)
Wardle

Thursday, May 14, 2015

Summer Reading (2015)

The following essays/articles were taken from the WPA thread, "Best essays in our field for new writing instructors"

  • Anne Lamott's "Shitty First Drafts" 
  • Don Daiker's "Learning to Praise" 
  • Peter Elbow's "Embracing Contraries" (and the aforementioned "Ranking, Liking") 
  • Michelle Tremmel's "What to Make of the Five-Paragraph Theme" TETYC 39.1 
  • Margrethe Ahlschwede's "Writing to Save the World," from Moore & O'Neill's Practice in Context 
  • Wendy Bishop's "Steal this Assignment: The Radical Revision" from the same volume 
  • Kathi Yancey's "Reflection and the Writing Course" from Reflection in the Writing Classroom 
  • Robert Brooke's "Underlife in the Writing Classroom" 
  • Dawn Skorczewski's “From Playing the Role to Being Yourself” 
  • Barbara Fister's "Why the Research Paper isn't Working" 
  • Ferris & Roberts' "Error Feedback in L2 Writing Classes"
  • Mike Rose's "The Language of Exclusion: Writing Instruction at the University"
  • Nancy Welch's "Sideshadowing Teacher Response"
  • Peggy O'Neill: "From the Writing Process to the Responding Sequence." 
  • "Nobody Mean More to Me than You and the Future Life of Willie Jordan" by June Jordan, here
  • Villanueva, Victor "Memoria Is a Friend of Ours: On the Discourse of Color"
  • Brannon and Knoblauch"s "On Students' Rights to Their Own Texts: A Model of Teacher Response."
  • Min Lu's "Professing Multiculturalism"
  • The New London Group's "Pedagogy of Multiliteracies"
  • Joseph Harris's "Revision as a Critical Practice" here
  • The introduction to Corbett and Connors, *Classical Rhetoric for the Modern Student.
  • "From a High-Tech to a Low-Tech Writing Classroom: You Can't Go Home Again" here
  • Audience addressed/Audience invoked (Lunsford/Ede)
  • Dana Lynn Driscoll and Jennifer Wells, "Beyond Knowledge and Skills: Writing Transfer and the Role of Student Dispositions"
  • Heilker’s “Twenty Years in: An Essay in Two Parts” paired with Adam Banks’s 2015 CCCC address, “Funk, Flight, and Freedom.”
  • Jerry Farber’s “Teaching and Presence” (2008)


Monday, April 27, 2015

Teach in China

Date:    Mon, 27 Apr 2015 12:37:51 -0400
From:    Marcy Bauman <marcybee@GMAIL.COM>
Subject: Teach in China this summer

Hi, everyone,

Are you interested in a short-term teaching experience in China?  For the
past 7 years, I've led a group of teachers to the Harbin Institute of
Technology (recently ranked #20 in the world on US News and World Report's
top engineering colleges), where we teach a three-week intensive English
conversation program to the school's Honors students.

This is a low-stress, high-impact teaching environment.  There are no exams
or grades; students have a relatively high degree of English speaking
proficiency, and so we spend most of our time engaging in cultural
dialogues. Harbin is a northern city with moderate (for China) summers -
temperatures are usually in the 80s.

Dates for 2015 have not yet been finalized, but the program will take place
during July (and possibly early August).

HIT provides:

* Round-trip airfare (reimbursed; you have to front the ticket)
* Lodging (with a/c and internet connectivity)
* A teaching stipend

Teachers provide:

* a valid passport with at least 6 months remaining on it.
* a visa (HIT provides necessary paperwork; visas cost about $150)
* 25-30 hours of instruction per week in a team-teaching environment.

If you have a Masters' degree, some experience with overseas travel, some
ESL experience, and a desire to have a truly AWESOME summer, then please
send me a letter of interest and a CV.

Thanks very much!

Best,
Marcy

Monday, April 20, 2015

Stats on RIC

Last Friday, Dr. Tom Schmeling and I testified in front of the RI House Finance Committee Sub-Committee on Education about how Rhode Island College students are suffering because of poor state funding for Higher Education.  Testimony from students about how difficult it is to pay for College, and how their lives have been impacted by working more than students at any New England peer institution, would be influential.  This factors strongly into Performance Based Funding, because the institutions of public higher education in the state will be evaluated by how many of our students graduate in 4 and 6 years, and yet in many cases work requirements (made necessary by difficulty paying tuition and making ends meet) limit students’ ability to complete 15 credits a semester (which is the norm required to graduate in 4 years.)

I quote here from Dr. Schmeling’s testimony last Friday:

"Since FY2008, Rhode Island’s educational appropriations per full-time equivalent student declined 24%, measured in constant dollars (SHEF p.32). 

In support for public higher education, Rhode Island ranks:
  • 44th in the nation in educational appropriations per full time student 2014 (SHEF p.39).
  • 46th in higher education funding per capita (SHEF p.46).
  • 46th in higher education funding per $1000 personal income (SHEF p.46).
  • 48th in the percentage of state revenue allocated to higher education.
As a result of declining state support, tuition at Rhode Island institutions of higher learning has risen 34.6% since 2008 .
  • We are 45th in net tuition burden as a percent of total public higher education revenue. That is, we ask our students to bear more of the cost of their education than all but five states (p.33)
  • Rhode Island is one of only six states where the student tuition burden is more than twice the amount of support provided by the state (p.33)
  • In short, across multiple measures of state financial commitment to higher education, Rhode Island is consistently at the bottom of the heap. For those of us who believe that investment in public higher education is a key source of economic mobility for our citizens and of economic growth for the state, it is both disturbing and embarrassing to find that Rhode Island has sunk so low in state rankings on education funding.
These cuts have a clear impact on our students’ ability to complete a college education. For instance, significantly more RIC students have to work off campus to make tuition than at other New England Public Colleges. 31% of RIC seniors work thirty or more hours per week at off-campus jobs, a rate which is about 50% higher than for students at other New England Colleges . Students who must spend so much time working to pay for college cannot devote the time needed to achieve academic excellence. They have a harder time completing a degree in four, five or even six years, and they are more likely to drop out."

Dr. Schmeling is using the State Higher Education Executive Officers Association's State Higher Education Finance Report (SHEF).

Stop shaming people on the Internet for grammar mistakes. Its not there fault.

I am a writer, which is why it’s particularly embarrassing that I sometimes type the word “right” when I mean to type “write.” Shouldn’t I know better? Just yesterday, I typed “there” when I meant “their.” And I’ll even admit that I’ve committed the most mocked grammar error on the Internet: “your” instead of “you’re” (and vice versa). And yet, I have stood by and watched on Twitter and in comment sections as people are pilloried for making these egregious blunders, knowing I’ve been just as guilty. I’ve even snickered when someone commits a grammar crime while writing a particularly objectionable opinion about politics or sports.
Calling out other people’s grammar mistakes has become such an Internet pastime that Weird Al Yankovic made a music video about it and a Twitter account called the Grammar Police has attracted more than 19,000 followers. The Grammar Police bot publicly shames people for making little language errors, such as using “hear” for “here,” and lets the world know exactly what grammar rule the offender broke.

But people don’t need to be corrected any more than they need to be ridiculed. I know the rules for how these words should be used and spelled, and I’m sure most who make these mistakes know them, too. What I really wanted to know is why we make these slip-ups anyway.
To find out, I spoke with Maryellen MacDonald, a cognitive psychologist at the University of Wisconsin-Madison, who studies how the brain processes language. She said that even though your brain knows the grammar rules, other forces override that knowledge. The brain doesn’t just store words like a dictionary does for easy retrieval, it’s more of a network. You start with a concept you want to express and then unconsciously consider several options from its associative grouping and quickly select one. For instance, if you’re explaining how you hit a ball, you might cycle through the concept of a stick, a pole and a bat. Next, your brain will use sound to aid its expression. Here’s where things can get tricky.
“Usually we pay a lot of attention to pronunciation while we’re typing because it’s usually a really good cue how to spell things,” MacDonald said. But homophones can trip this process up. “When someone types ‘Are dog is really cute’, it’s not that they don’t know the difference between ‘are’ and ‘our’; it’s that the pronunciation of ‘our’ in the mind activated the spelling ‘our’ but also ‘are.’” Even nearby “hour” might come out, she said.
The brain doesn’t always consult a word’s sound, but studies have shownthat it frequently falls back on it, and sound tells us nothing about the difference between “you’re” and “your.” Research on typing errors revealsthat sound creates even odder mistakes, such as people writing “28” when they mean to type “20A.” It’s no wonder that people who know better will routinely confound closer pairings such as “it’s” and “its” or “know” and “no.”
Tom Stafford, a cognitive psychologist at the University of Sheffield who is currently involved in a massive study of Wikipedia edits to see what they reveal about how the brain processes language, told me that we usually get these spellings right less because we apply a rule than because of our brains’ wiring. “When you first start typing, you don’t have any habits,” he said, “and then as you become fluid, that skill is based on the assemblage of routines that you don’t have to think about.” Over time, motor systems allow you to act without belabored thought. But there’s a cost to being able to type 60 words per minute: Sometimes those habits steer us wrong.
For instance, if a friend texts that she’s “going to a concert” and you want to tell her you’re also going, you might type, “I’m going, to,” instead of “I’m going, too.” Your brain is used to hearing the word “going” followed by the word “to” (as in going to work/school/etc.) and it just saw the phrase used that way in your friend’s text. Conversely, in sentences that should end with the preposition “to,” people often write “too,” because that word more frequently concludes a sentence. Habit, usually so helpful, sometimes leads us astray.
We’ve long known that habits have the power to overwhelm intentions. In the 1880s, psychologist William James described the man who goes to his room to change clothes and suddenly finds himself undressed and in bed. “He began the routine correctly,” Stafford said, but then lost focus and did the more high-frequency action. In extremely grave cases, this slip from conscious intention into repetition of habit has led people to forget their children in their cars. In extremely trivial ones, they type “then” when they mean “than.”

Regardless of what you intend to do, “there’s this tendency for these high-frequency things to assert themselves,” Stafford said, “and that’s particularly true when you’re not paying attention or you’re in a rush. And when we’re typing, we’re always in a rush.”
Slips of the brain also create less common mistakes. Consider all these people trying to make a joke about calling 911 and inadvertently typing “call 9/11.” You don’t say the two the same way, but somehow the constant invocation of 9/11 helps it supplant the phone number. Or consider my fairly uncommon last name, Heisel, which for my entire life has appeared on name tags and forms as “Heisler.” That surname is not all that common,either, but it’s familiar enough that the brain’s autopilot often chooses it over mine. Similarly, professor Maryellen MacDonald told me, “I’ve been Mary Anne all my life.”
If we can mistakenly deploy words we rarely see, it’s no wonder that the basic building blocks of the language, such as “to” and “too,” would continually intrude upon each other’s space. We can take care to make sure the right one comes out, but, MacDonald said, “cognitive control is hard work. … It’s putting the brakes on something you would typically do.” As studies of attention show, you only have so much to go around before your mind falters.
Of course, people can and should proofread (a practice the brain complicates as well), but we can never fully curtail these slips that rapid-fire media like Twitter bring to the fore. Mocking another person for making one of them is like mocking a heart for skipping a beat. Errors are a routine part of our cognitive systems, as likely to happen to you as to me, as to that guy with the terrible opinions ranting beneath an article. And people certainly don’t need reminders of the simple rules by a program such as  Grammar Police, either. The bot is really just a reminder of the difference between the tidy logic of a machine and the wonderfully messy mental architecture of humans.
But if to err is human, so, too, it seems, is wishing you weren’t. Maybe the pleasure in following that bot is that it allows you to pretend, 25 times a day, that you’re perfect and other people’s foibles are not your own. Even people who understand precisely how helpless we are to avoid these little missteps can fall prey to this desire. MacDonald said she still ends up chastising herself when she realizes she’s made them.
And though she and Stafford helped me feel less shameful about committing these errors, my focus on them did nothing to stop me from making them repeatedly while typing this article. Sometimes, knowledge is powerless.